000 | 03314cam a22004934a 4500 | ||
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001 | muse50538 | ||
003 | MdBmJHUP | ||
005 | 20161111135851.0 | ||
006 | m o d | ||
007 | cr||||||||nn|n | ||
008 | 150902s2016 nyu o 00 0 eng d | ||
010 | _z 2015028995 | ||
020 | _a9780823270101 | ||
020 | _z9780823270057 (hardback) | ||
020 | _z9780823270064 (paper) | ||
020 | _z082327005X | ||
035 | _a(OCoLC)939195516 | ||
040 |
_aMdBmJHUP _cMdBmJHUP |
||
050 | 0 | 0 |
_aPN45.5 _b.W37 2016 |
082 | 0 | 0 |
_a808 _223 |
100 | 1 | _aWasser, Audrey. | |
245 | 1 | 4 |
_aThe work of difference _h[electronic resource] : _bmodernism, romanticism, and the production of literary form / _cAudrey Wasser. |
260 |
_aNew York : _bFordham University Press, _c2016. _e(Baltimore, Md. : _fProject MUSE, _g2015) |
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300 | _a1 online resource (pages cm) | ||
336 |
_atext _btxt |
||
337 |
_acomputer _bc |
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338 |
_aonline resource _bcr |
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504 | _aIncludes bibliographical references and index. | ||
505 | 8 | _aMachine generated contents note: -- Introduction 1 -- 1. Form and Fragmentation: Romantic Legacies -- 2. The Book of the World: Form and Intent in New Criticism, Revisited -- 3. Tyranny of the Possible: Blanchot -- 4. A Genesis of the New: Deleuze -- 5. From Figure to Fissure: Self-Correction in Beckett's Molloy, Malone Dies, and The Unnamable -- 6. Hyperbole In Proust's A la recherche du temps perdu -- 7. "How Anything Can Be Different from What It Is": Tautology in Stein's The Making of Americans -- Conclusion -- Acknowledgments -- Notes -- Works Cited -- Index. | |
520 |
_a"This book mounts a critique of persistently romantic assumptions in contemporary literary criticism and advances an original theory of literary production. Along the way, it offers new readings of major modernist novels of Samuel Beckett, Marcel Proust, and Gertrude Stein"-- _cProvided by publisher. |
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520 |
_a"The Work of Difference addresses a fundamental ontological question: What is literature? And at the heart of this question, it argues, is the problem of the new. How is it that new works or new forms are possible within the rule-governed orders of history, language use, or the social? How are new works in turn recognizable to already-existing institutions? Tracing the relationship between literature and the problem of newness back to a set of concerns first articulated in early German romanticism, this book goes on to mount a critique of romantic tendencies in contemporary criticism in order, ultimately, to develop an original theory of literary production. Along the way, it offers new readings of major modernist novels by Samuel Beckett, Marcel Proust, and Gertrude Stein"-- _cProvided by publisher. |
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588 | _aDescription based on print version record. | ||
650 | 7 |
_aPHILOSOPHY / Aesthetics. _2bisacsh |
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650 | 7 |
_aLITERARY CRITICISM / Semiotics & Theory. _2bisacsh |
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650 | 0 | _aModernism (Literature) | |
650 | 0 | _aCriticism. | |
650 | 0 | _aLiterary form. | |
655 | 7 |
_aElectronic books. _2local |
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710 | 2 | _aProject Muse. | |
830 | 0 | _aUPCC book collections on Project MUSE. | |
856 | 4 | 0 |
_zFull text available: _uhttps://muse.jhu.edu/books/9780823270101/ |
945 | _aProject MUSE - UPCC 2016 Complete | ||
945 | _aProject MUSE - UPCC 2016 Literature | ||
999 |
_c893 _d893 |