000 03523cam a22004934a 4500
001 muse49983
003 MdBmJHUP
005 20161111135858.0
006 m o d
007 cr||||||||nn|n
008 151230s2016 nyu o 00 0 eng d
010 _z 2015042060
020 _a9780823270897
020 _z9780823270859 (hardback)
020 _z9780823270866 (paper)
020 _z0823270858
035 _a(OCoLC)933866579
040 _aMdBmJHUP
_cMdBmJHUP
050 0 0 _aPR6003.E282
_bZ7886 2016
100 1 _aRabate, Jean-Michel,
_d1949-
_eauthor.
245 1 0 _aThink, pig!
_h[electronic resource] :
_bBeckett at the limit of the human /
_cJean-Michel Rabate.
250 _aFirst edition.
260 _aNew York :
_bFordham University Press,
_c2016.
_e(Baltimore, Md. :
_fProject MUSE,
_g2015)
300 _a1 online resource (pages cm)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
504 _aIncludes bibliographical references and index.
505 8 _aMachine generated contents note: -- List of Abbreviations -- Introduction: How on this earth one ought to live -- 1. Think, pig! -- 2. The worth and girth of an Italian hoagie -- 3. The Posthuman, or the humility of the earth -- 4. Burned toasts and boiled lobsters -- 5. "Porca Madonna!" Moving Descartes towards Geulincx and Proust -- 6. From an aesthetics of non-relation to an ethics of negation -- 7. Beckett's Kantian Critiques -- 8. Dialectics of Enlittlement: Rats in Watt -- 9. Bathetic jokes, animal slapstick, and ethical laughter -- 10. Courage, or strength to deny? Beckett between Adorno and Badiou -- 11. Lessons in pigsty Latin: the duty to speak well -- 12. An Irish Paris Peasant -- 13. The morality of form, a French story -- Coda: Minima Beckettiana -- Acknowledgments -- Notes -- Index.
520 _a"This book examines Samuel Beckett's unique lesson in courage in the wake of humanism's postwar crisis--the courage to go on living even after experiencing life as a series of catastrophes. Rabate, a former president of the Samuel Beckett Society and a leading scholar of modernism, explores the whole range of Beckett's plays, novels, and essays. He places Beckett in a vital philosophical conversation that runs from Bataille to Adorno, from Kant and Sade to Badiou. At the same time, he stresses Beckett's inimitable sense of metaphysical comedy. Foregrounding Beckett's decision to write in French, Rabate inscribes him in a continental context marked by a "writing degree zero" while showing the prescience and ethical import of Beckett's tendency to subvert the "human" through the theme of the animal. Beckett's "declaration of inhuman rights," he argues, offers the funniest mode of expression available to us today"--
_cProvided by publisher.
588 _aDescription based on print version record.
600 1 0 _aBeckett, Samuel,
_d1906-1989
_xCriticism and interpretation.
650 7 _aPERFORMING ARTS / Theater / History & Criticism.
_2bisacsh
650 7 _aPHILOSOPHY / Aesthetics.
_2bisacsh
650 7 _aLITERARY CRITICISM / General.
_2bisacsh
650 0 _aTheater
_xPhilosophy.
650 0 _aLiterature
_xPhilosophy.
655 7 _aElectronic books.
_2local
710 2 _aProject Muse.
830 0 _aUPCC book collections on Project MUSE.
856 4 0 _zFull text available:
_uhttps://muse.jhu.edu/book/45529/
945 _aProject MUSE - UPCC 2016 Literature
945 _aProject MUSE - UPCC 2016 Complete
999 _c1317
_d1317