000			03532cam a22005294a 4500
001			muse54458
003			MdBmJHUP
005			20161111135858.0
006			m o d
007			cr||||||||nn|n
008			160408s2016 inu o 00 0 eng d
010			_z 2016014975
020			_a9780253020789
020			_a0253020786
020			_z9780253020659
020			_z9780253020758
035			_a(OCoLC)948805409
040			_aMdBmJHUP _cMdBmJHUP
043			_amm-----
050	0	0	_aPN1995.9.N66 _bA24 2016
082	0	0	_a304.8/4061 _223
100	1		_aAbderrezak, Hakim, _eauthor
245	1	0	_aEx-centric migrations _h[electronic resource] : _bEurope and the Maghreb in Mediterranean cinema, literature, and music / _cHakim Abderrezak.
260			_aBloomington : _bIndiana University Press, _c2016. _e(Baltimore, Md. : _fProject MUSE, _g2015)
300			_a1 online resource (pages cm)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
504			_aIncludes bibliographical references and index.
505	0		_aDisimmigration as a remedy for the illness of immigration in Ismaël Ferroukhi's Le grand voyage -- "Burning the sea" : clandestine migration across the Mediterranean in Francophone Moroccan Iitterature -- Southward road narratives : how French citizens become clandestine immigrants in Algeria -- The new Eldorado in Mediterranean music -- Europe bound : shooting "illegals" at sea -- Heading home : post-mortem road narratives -- Conclusion : "white sea of the middle" or "wide sea to meddle in"?
520			_aWriting in the wake of the political and social uprisings known as the "Arab Spring" and the restrictive European immigration policies that followed, Hakim Abderrezak contests the common notion that emigrants from former European colonies migrate predominantly to the land of the ex-colonizer. Focusing particularly on clandestine migration practices, he shows that despite a linguistic affinity, a tradition of labor, and additional historical ties with the colonizer, migrants from the Maghreb (Morocco, Algeria, and Tunisia) are no longer trekking to France, but instead are drifting toward other destinations like Spain, Italy, Great Britain, Germany, the Netherlands, and the Middle East. Abderrezak locates this migratory shift away from France in literary, cinematic, and musical representations of the emigrant's journey. Contrary to mass media coverage and mainstream political discourse, these cultural productions reveal new patterns of human movement and an alternative mapping of the Mediterranean.
588			_aDescription based on print version record.
650		0	_aMusic _zMediterranean Region _xHistory and criticism.
650		0	_aEmigration and immigration in literature.
650		0	_aEmigration and immigration in motion pictures.
650		0	_aImmigrants in literature.
650		0	_aImmigrants in motion pictures.
650		0	_aNorth Africans in literature.
650		0	_aNorth Africans in motion pictures.
655		7	_aElectronic books. _2local
776	0	8	_iOnline version: _aAbderrezak, Hakim, author _tEx-centric migrations _dBloomington : Indiana University Press, 2016 _z9780253020789 _w(DLC) 2016021162
710	2		_aProject Muse.
830		0	_aUPCC book collections on Project MUSE.
856	4	0	_zFull text available: _uhttps://muse.jhu.edu/book/46061/
945			_aProject MUSE - UPCC 2016 Complete
945			_aProject MUSE - UPCC 2016 Global Cultural Studies
999			_c1291 _d1291