Avant-garde museology [electronic resource] /Arseny Zhilyaev, editor ; published in collaboration with V-A-C Foundation ; translation, consultation , and research, Daria Irincheeva, Alexander Izvekov, Anastasia Skoybedo.
Contributor(s): Skoybedo, Anastasia [translator.] | Izvekov, Alexander [translator.] | Irincheeva, Daria [translator.] | Zhilyaev, Arseniy [editor.] | Project Muse [distributor.] | V-A-C Foundation [issuing body.] | Project Muse.
Material type:
Issued as part of UPCC book collections on Project MUSE.
Includes bibliographical references.
Preface / Julieta Aranda, Brian Kuan Wood, Anton Vidokle -- Introduction. Avant-garde museology : toward a history of a pilot experiment / Arseny Zhilyaev -- I. Museum as common task -- II. The museum of avant-gardism -- III. The materialistic museum.
The museum of contemporary art might be the most advanced recording device ever invented. It is a place for the storage of historical grievances and the memory of forgotten artistic experiments, social projects, or errant futures. But in late nineteenth and early twentieth-century Russia, this recording device was undertaken by artists and thinkers as a site for experimentation. Arseny Zhilyaev's Avant-Garde Museology presents essays documenting the wildly encompassing progressivism of this period by figures such as Nikolai Fedorov, Aleksandr Rodchenko, Kazimir Malevich, Alexander Bogdanov, and others--many which are translated from the Russian for the first time. Here the urgent question is: How might the contents of the museum be reanimated so as to transcend even the social and physical limits imposed on humankind?
Translated from the Russian.
Description based on print version record.
There are no comments for this item.